
The cinematography is terrific: great tableaux, excellent framing and editing. It's quite a visual treat.
Taking the eponymous lead, Anne Parrilaud gives us a beautifully detailed performance of confusion and simple wrong-headedness with a hard-nosed killer's instinct. She's both vulnerable and hard-as-nails; a masterful turn.


You knew there was a "but" coming, didn't you?
More or less everything else about the film is decidedly second rate. The plot, such as it is, requires a massive suspension of disbelief. If you worked for a top secret government agency trying to recruit an assassin, would you really choose a hopeless heroin addict and cop-killer? I don't think so.

Sadly, Monsieur Besson appears to have forgotten direction in his directorial role and the narrative gets bogged down with inexplicable scenarios for our heroine to negotiate. Frankly, it just gets plain silly.
On the film club scale - Dong took a fag break about two thirds of the way through (not a good sign); Frankenkeith said he gave up concentrating at the half way stage and wondered what the point of the film was; Shazzerooneypoos didn't actually snore (which has been known) but felt dissatisfied with the plot. Rob wasn't hugely impressed, either.
As an obvious forerunner to the brilliant Leon (same director, made four years later) this film has some interest, but overall Mrs The Millbrooker and I came away feeling distinctly underwhelmed. I think I'd have to recommend giving this one a miss.
No comments:
Post a Comment